History 593:Seminar on Historical Method, Theory, and Approach

During the 1930s Mexico was undergoing a healing process after three decades of revolutionary turmoil and reform. In this climate, the coming of World War II became a major turning point in the legacy of the Mexican Revolution, offering the country a unique opportunity to unite against a common external enemy. The war also thrust the nation into an international forum as Germany and the United States launched propaganda campaigns to win over the Mexican people.

This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity.Cinema and Fascisminvestigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history.

It is one of the great ironies of the history of fascism that, despite their fascination with ultra-nationalism, its adherents understood themselves as members of a transnational political movement. While a true “Fascist International” has never been established, European fascists shared common goals and sentiments as well as similar worldviews. They also drew on each other for support and motivation, even though relations among them were not free from misunderstandings and conflicts. Through a series of fascinating case studies, this expansive collection examines fascism’s transnational dimension, from the movements inspired by the early example of Fascist Italy to the international antifascist organizations that emerged in subsequent years.

What is the relationship between sexual and other kinds of politics? Few societies have posed this puzzle as urgently, or as disturbingly, as Nazi Germany. What exactly were Nazism's sexual politics? Were they repressive for everyone, or were some individuals and groups given sexual license while others were persecuted, tormented, and killed? How do we make sense of the evolution of postwar interpretations of Nazism's sexual politics? What do we make of the fact that scholars from the 1960's to the present have routinely asserted that the Third Reich was "sex-hostile"? In response to these and other questions, Sex after Fascism fundamentally reconceives central topics in twentieth-century German history.

The 1936 Olympic Games played a key role in the development of both Hitlers Third Reich and international sporting competition. This volume gathers original essays by modern scholars from the Games most prominent participating countries and lays out the issues -- sporting as well as political -- surrounding individual nations involvement._x000B_The Nazi Olympics opens with an analysis of Germanys preparations for the Games and the attempts by the Nazi regime to allay the international concerns about Hitlers racist ideals and expansionist ambitions.

Holocaust memorials and museums face a difficult task as their staffs strive to commemorate and document horror. On the one hand, the events museums represent are beyond most people’s experiences. At the same time they are often portrayed by theologians, artists, and philosophers in ways that are already known by the public. Museum administrators and curators have the challenging role of finding a creative way to present Holocaust exhibits to avoid clichéd or dehumanizing portrayals of victims and their suffering.