Girls Rock MKE

What do you mean you've never heard of Death Eric? Eric Thrashmettle is only, like, the singer and lead guitarist of the most famous and influential rock band ever known. Ask your dad. Eric has two kids: Lulubelle Flower Fairy and Living Buddha Thrashmettle. For obvious reasons, they prefer to be called Lou and Buddy. And they often find their dad very embarrassing. He hasn't performed in years--not since a raven pooped in his eye at the Chickenstock Festival. But now his triple-platinum credit card has been cut up, the bank account is empty, and the Lamorari is out of gas. His kids want their credit cards back, so Lou and Buddy must abandon all self-respect and get their terminally embarrassing dad back on the road. Desperate times mean desperate measures. Protect your ears, kids! It's the return of Death Eric.

When Reyna accidentally breaks Abuelito's vihuela--a small guitar-like instrument--she ventures out into the neighborhood determined to find someone who can help her repair it. No one can fix the vihuela, but along the way Reyna gathers stories and mementos of Abuelito and his music. Still determined, Reyna visits the music store, where the owner gives her a recording of Abuelito's music and promises that they can fix the vihuela together. Reyna realizes how much she's learned about Abuelito, his influence in the community, and the power of his music. She returns to her family's restaurant to share Abuelito's gifts with Mama and is happier still finally to hear the sweet sounds of Abuelito's music for herself. With lively illustrations by Renato Alarc�o, the tradition of mariachi music comes to life in this bilingual story. Winner of Lee & Low's New Voices Award, Finding the Music is a heartwarming tale of family, community, and the music that brings them all together.

A2018 Pura Belpre Author Honor Book The First Rule of Punkis a wry and heartfelt exploration of friendship, finding your place, and learning to rock out like no one's watching. There are no shortcuts to surviving your first day at a new school-you can't fix it with duct tape like you would your Chuck Taylors. On Day One, twelve-year-old Malo (Maria Luisa, if you want to annoy her) inadvertently upsets Posada Middle School's queen bee, violates the school's dress code with her punk rock look, and disappoints her college-professor mom in the process. Her dad, who now lives a thousand miles away, says things will get better as long as she remembers the first rule of punk- be yourself. The real Malo loves rock music, skateboarding, zines, and Soyrizo (hold the cilantro, please). And when she assembles a group of like-minded misfits at school and starts a band, Malo finally begins to feel at home. She'll do anything to preserve this, which includes standing up to an anti-punk school administration to fight for her right to express herself! Black and white illustrations and collage art throughout make The First Rule of Punk a perfect pick for fans of books likeRoller Girland online magazines likeRookie.

Maddie, Bella, Emily, and Sam create rock star-worthy instruments with found objects in this second book in the Craftily Ever After chapter book series! Emily Adams, Maddie Wilson, Bella Diaz, and Sam Sharma are eight-year-olds with one special thing in common: they love to create. They each have unique talents, too! Emily is great at constructing and building; Maddie has an eye for fashion, fabrics, and sewing; Bella is a gadget whiz; and Sam is a gifted artist. Together, these four crafty friends dream up new projects to design, build, and create and through their experiences, they'll learn how to handle various obstacles at school and in their everyday eight-year-old lives. In the second Craftily Ever After book, there's a talent show at school and for the first time, Maddie, Bella, Emily, and Sam can't think of anything to do. That is, until an old tin can and some plastic tubing give them a musical idea! With easy-to-read language and illustrations on almost every page, the Craftily Ever After chapter books are perfect for emerging readers.

When Darius told Angel he loved her, she believed him. But five weeks after the incident, Angel finds herself in Brooklyn, far from her family, from him, and from the California life she has known. Angel feels out of sync with her new neighborhood. At school, she can't shake the feeling everyone knows what happened-and that it was her fault. The only place that makes sense is Ms. G's class. There, Angel's classmates share their own stories of pain, joy, and fortitude. And as Angel becomes immersed in her revolutionary literature course, the words from Black writers like Toni Morrison, James Baldwin, and Zora NEale Hurston speak to her and begin to heal the wounds of her past. This stunning novel weaves together prose, poems, and vignettes to tell the story of Angel, a young woman whose past was shaped by domestic violence but whose love of language and music and the gift of community grant her the chance to find herself again.

A Newbery Honor Book Jacqueline Woodson is the 2018-2019 National Ambassador for Young People's Literature The day D Foster enters Neeka and her best friend's lives, the world opens up for them. D comes from a world vastly different from their safe Queens neighborhood, and through her, the girls see another side of life that includes loss, foster families and an amount of freedom that makes the girls envious. Although all of them are crazy about Tupac Shakur's rap music, D is the one who truly understands the place where he's coming from, and through knowing D, Tupac's lyrics become more personal for all of them. The girls are thirteen when D's mom swoops in to reclaim D--and as magically as she appeared, she now disappears from their lives. Tupac is gone, too, after another shooting; this time fatal. As the narrator looks back, she sees lives suspended in time, and realizes that even all-too-brief connections can touch deeply.

Winner of the Schneider Book Award The award-winning author of the Elemental series delivers a rock-and-roll novel that Lauren Myracle called “raw, fresh, funny, and authentic.”   The Challenge: Eighteen-year-old Piper has one month to get her high school’s coolest rock band Dumb a paying gig. The Deal: If she does it, Piper will become the band’s manager and get her share of the profits. The Catch: How can Piper possibly manage a band made up of an egomaniacal pretty boy, a talentless piece of eye candy, a silent rocker, an angry girl, and a crush-worthy nerd boy? And how can she do it when she’s deaf? Piper is determined to show her classmates that just because she’s hearing impaired doesn’t mean she’s invisible. With growing self-confidence, a budding romance, and a new understanding of her parent’s decision to buy a cochlear implant for her deaf baby sister, she discovers her own inner rock star and what it truly means to be a flavor of Dumb. For fans of K. L. Going’s Fat Kid Rules the World and Catherine Gilbert Murdock’s Dairy Queen.      

Stonewall Book Awards--Mike Morgan & Larry Romans Children's & Young Adult Literature Honor Book From the author of the critically acclaimed novel For Black Girls Like Me, Mariama J. Lockington, comes a coming-of-age story surrounding the losses that threaten to break us and the friendships that make us whole again. Thirteen-year-old Andi feels stranded after the loss of her mother, the artist who swept color onto Andi's blank canvas. When she is accepted to a music camp, Andi finds herself struggling to play her trumpet like she used to before her whole world changed. Meanwhile, Zora, a returning camper, is exhausted trying to please her parents, who are determined to make her a flute prodigy, even though she secretly has a dancer's heart. At Harmony Music Camp, Zora and Andi are the only two Black girls in a sea of mostly white faces. In kayaks and creaky cabins, the two begin to connect, unraveling their loss, insecurities, and hopes for the future. And as they struggle to figure out who they really are, they may just come to realize who they really need: each other. In the Key of Us is a lyrical ode to music camp, the rush of first love, and the power of one life-changing summer.

Written as a college admission essay, eighteen-year-old Harry Jones recounts a childhood defined by the hideous scars he hid behind, and how forming a band brought self-confidence, friendship, and his first kiss.

Explore the roots of rap in this stunning, rhyming, triple-timing picture book! The roots of rap and the history of hip-hop have origins that precede DJ Kool Herc and Grandmaster Flash. Kids will learn about how it evolved from folktales, spirituals, and poetry, to the showmanship of James Brown, to the culture of graffiti art and break dancing that formed around the art form and gave birth to the musical artists we know today.

Winner of the Coretta Scott King Illustration Award! From a New York Times bestselling author and an acclaimed illustrator comes this vibrant portrait of Aretha Franklin that pays her the R-E-S-P-E-C-T this Queen of Soul deserves. Aretha Franklin was born to sing. The daughter of a pastor and a gospel singer, her musical talent was clear from her earliest days in her father's Detroit church where her soaring voice spanned more than three octaves. Her string of hit songs earned her the title "the Queen of Soul," multiple Grammy Awards, and a place in the Rock & Roll Hall of Fame. But Aretha didn't just raise her voice in song, she also spoke out against injustice and fought for civil rights.

* Schneider Family Book Award Winner * A gorgeous and empowering picture book biography about Evelyn Glennie, a deaf woman, who became the first full-time solo percussionist in the world. (Cover may vary) "No. You can't," people said. But Evelyn knew she could. She had found her own way to listen. From the moment Evelyn Glennie heard her first note, music held her heart. She played the piano by ear at age eight, and the clarinet by age ten. But soon, the nerves in her ears began to deteriorate, and Evelyn was told that, as a deaf girl, she could never be a musician. What sounds Evelyn couldn'thear with her ears, though, she could feel resonate through her body as if she, herself, were a drum. And the music she created was extraordinary. Evelyn Glennie had learned how to listen in a new way. And soon, the world was listening too. "Radiant." --Publishers Weekly "Perfect for elementary school readers . . . Excellent." --SLJ "Beautiful." --A Mighty Girl  "Lyrical . . . Expressive." --Booklist "An intriguing, loving biography." --Kirkus "Engaging [and] vibrant." --The Horn Book "Fantastic." --Book Riot "I strongly recommend it." --Time for Kids

Elvis Presley--the King of Rock 'n' Roll, still beloved by millions of Americans--comes to vibrant, gyrating life in this extraordinary picture-book biography from an award-winning author and the winner of a New York Times Best Illustrated Book Award. Here's the perfect book for anyone who wants to introduce rock 'n' roll and its king to the child in their lives. In single- page "chapters" with titles like "The First Cheeseburger Ever Eaten by Elvis" and "Shazam! A Blond Boy Turns into a Black-Haired Teenager," readers can follow key moments in Presley's life, from his birth on the wrong side of the railroad tracks in the Deep South, to playing his first guitar in grade school, to being so nervous during a performance as a teenager that he starts shaking . . . and changes the world! Jonah Winter and Red Nose Studio have created a tour-de-force that captures a boy's loneliness and longing, along with the energy and excitement, passion, and raw talent that was Elvis Presley. "Readers will want to pore over this thoroughly engaging volume." -- Kirkus Reviews, starred review

Winner of a Pura Belpré Illustrator Honor and a Robert F. Sibert Honor! Celebrate music icon Carlos Santana in this vibrant, rhythmic picture book from the author of the New York Times Best Illustrated Children's Book Muddy: The Story of Blues Legend Muddy Waters. Carlos Santana loved to listen to his father play el violín. It was a sound that filled the world with magic and love and feeling and healing--a sound that made angels real. Carlos wanted to make angels real, too. So he started playing music. Carlos tried el clarinete and el violín, but there were no angels. Then he picked up la guitarra. He took the soul of the Blues, the brains of Jazz, and the energy of Rock and Roll, and added the slow heat of Afro-Cuban drums and the cilantro-scented sway of the music he'd grown up with in Mexico. There were a lot of bands in San Francisco but none of them sounded like this. Had Carlos finally found the music that would make his angels real?

In 1942, drummer Viola Smith sent shock waves through the jazz world by claiming in Down Beat magazine that "hep girls" could sit in on any jam session and hold their own. In Women Drummers: A History from Rock and Jazz to Blues and Country, Angela Smith takes Viola at her word, offering a comprehensive look at the world of professional drumming and the women who had the courage and chops to break the barriers of this all-too-male field. Combining archival research with personal interviews of more than fifty female drummers representing more than eight decades in music history, Smith paints a vivid picture of their struggles to overcome discrimination--not only as professional musicians but in other parts of their lives. Women Drummers outlines the evolution of female drumming from pre-biblical times when women held important leadership roles to their silencing by the church during the Middle Ages to spearheading the fight for women's rights in the modern era. The stories and personal accounts of female drummers who bucked tradition and societal norms are told against the backdrop of the times in which they performed and the genres they represented, from rock and jazz to blues and country. Although women have proven time and time again that they can more than hold their own against their male counterparts, female drummers not only remain a minority, but their contributions have been obscured by the traditional chauvinistic attitudes in the music business and gender stereotypes that surround the drum itself as a "male" instrument. Women Drummers takes a major step forward in undoing this misconception by acknowledging the talent, contribution, and growing power of women drummers in today's music environment.

A groundbreaking and irresistible biography of three of America's most important musical artists -- Carole King, Joni Mitchell, and Carly Simon -- charts their lives as women at a magical moment in time. Carole King, Joni Mitchell, and Carly Simon remain among the most enduring and important women in popular music. Each woman is distinct. Carole King is the product of outer-borough, middle-class New York City; Joni Mitchell is a granddaughter of Canadian farmers; and Carly Simon is a child of the Manhattan intellectual upper crust. They collectively represent, in their lives and their songs, a great swath of American girls who came of age in the late 1960s. Their stories trace the arc of the now mythic sixties generation -- female version -- but in a bracingly specific and deeply recalled way, far from cliché. The history of the women of that generation has never been written -- until now, through their resonant lives and emblematic songs. Filled with the voices of many dozens of these women's intimates, who are speaking in these pages for the first time, this alternating biography reads like a novel -- except it's all true, and the heroines are famous and beloved. Sheila Weller captures the character of each woman and gives a balanced portrayal enriched by a wealth of new information. Girls Like Us is an epic treatment of midcentury women who dared to break tradition and become what none had been before them -- confessors in song, rock superstars, and adventurers of heart and soul.

Girls Rock! explores the many ways women have defined themselves as rock musicians in an industry once dominated and controlled by men. Integrating history, feminist analysis, and developmental theory, the authors describe how and why women have become rock musicians--what inspires them to play and perform, how they write, what their music means to them, and what they hope their music means to listeners. As these musicians tell their stories, topics emerge that illuminate broader trends in rock's history.

Longlisted for the 2020 Andrew Carnegie Medals for Excellence This blazingly intimate biography of Janis Joplin establishes the Queen of Rock & Roll as the rule-breaking musical trailblazer and complicated, gender-bending rebel she was. Written by one of the most highly regarded chroniclers of American music history, and based on unprecedented access to Janis Joplin's family, friends, band mates, archives, and long-lost interviews, Janis is a complex, rewarding portrait of a remarkable artist finally getting her due.

As an industry insider and pioneering post-punk musician, Vivien Goldman's perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes--identity, money, love, and protest--to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain's first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries.

So You Want to Sing CCM (Contemporary Commercial Music) presents a compendium of approaches to non-classical singing with an emphasis on vocal technique and function. Over the past twenty years, approaches to singing CCM have exploded, resulting in many schools of technique. So You Want to Sing CCM is the first book to bring these trademarked methods--such as Estill Voice Training(TM), Somatic Voicework(TM), Complete Vocal Technique(TM), Voiceworks(TM), and the Vocal Power Method(TM)--together in a single volume.

Although rock singing was once seen as a vulgar use of the human voice and was largely ignored by the academic community, voice teachers and singers around the world have recently taken a professional interest in learning specialized techniques for singing rock 'n' roll. So You Want to Sing Rock 'n' Roll gives readers a comprehensive guide to rock history, voice science, vocal health, audio technology, technical approaches to singing rock, and stylistic parameters for various rock subgenres. Matthew Edwards, assistant professor of voice at Shenandoah Conservatory, provides easy-to-understand explanations of technical concepts, with tips for practical application, and suggestions for listening and further reading.

The Elements of Song Craft beelines directly to the most important aspect of writing good songs--identifying the key emotion living at the heart of the song--then offers a step-by-step process to harnessing that singular emotional power. Additionally, a dozen other strategies, formulas, perspectives, and exercises are offered in the book.

National Book Award nominee, critic and one of America's least compromisingsatirists, Alexander Theroux takes a comprehensive look at the colorful languageof pop lyrics and the realm of rock music in general in The Grammar of Rock. With his usual encyclopedic insights into the state of the modern lyric, Therouxfocuses on the state of language - the power of words and the nature of syntax -in the prose The Grammar of Rock. He analyzes its assaults on listeners'impulses by investigating singers' styles, pondering lunacies in lyrics, anddeconstructing the nature of diction and presentation in the language. This isthat rare book that positively evaluates the very nature of a pop song, and whyone over another has an effect on the listener.

(Pocket Guide). Learn to play rock rhythms in the style of the Beatles, Led Zeppelin, Hendrix, Clapton, Van Halen, Pearl Jam, and more. You'll learn all the essential rhythm techniques, including: power chords; barre chords; triad shapes; muting; chord progressions; pick harmonics; chord arpeggiation; riffs; and more. This book also includes vital background information with each concept, giving you the theory behind the chops.

The history of rock music in Milwaukee began at an age when some musicians played in a segregated part of the city. At the same time, a young singer named Buddy Holly kicked off a tour that ended with a plane crash in Iowa 11 days later. The following years brought the Beatles, Rolling Stones, and the rest of the British Invasion. In the late 1960s came acid rock, civil unrest, and Summerfest, a music festival that continues to this day. Milwaukee has had its moments in the spotlight: Bob Dylan left the stage after two songs in 1964, Bruce Springsteen's 1975 concert was delayed for hours while police searched for a bomb in the theater, hundreds of Black Sabbath fans rioted after a 1980 show, and the Plasmatics' Wendy O. Williams was beaten by police in 1981. And then there was the helicopter crash in which blues guitarist Stevie Ray Vaughn perished.

Milwaukee Rock and Roll, 1950-2000: A Reflective History surveys and celebrates a rich musical heritage. It does not claim to be a definitive account of Milwaukee rock, but it offers an important narrative-a foundation for further study and appreciation. This book is an anthology of written, vocal, and visual reflections, which will inform readers and evoke memories for those who experienced this music and era. It includes, among so many other performers, Milwaukee rock pioneers Sam McCue, Artie Herrera, and Larry Lynne; truck driver folk great Larry Penn; impresario Nick Topping; rhythm and blues standout Junior Brantley and soul man Harvey Scales; 60s bands like the Ricochettes, Shag, and the Corporation; bluesmen Jim Liban and Jon Paris; "girl rockers" epitomized by the G.T.O.'s and Ruby Starr; punks like the Haskels, the Oil Tasters, and Die Kreuzen; the internationally renowned punk/indie Violent Femmes; and prog rocker (among his other impressive musical talents) Sigmund Snopek III.

Milwaukee hasn't earned a reputation as a launching pad for hopeful rock stars, but for generations it has had the perfect acoustics for the garage band rock scene. Of course, the whole point of garage rock is that every place has the perfect acoustics, but just try telling that to the folks who heard Blitzkrieg Over Kenosha" for the first time. With dual citizenship in the research library and the basement show, Peter Roller follows Milwaukee's garage rockers everywhere they haul their amps, observing bands like the Stilettos, the Angry Daisies, the Palmettos, the Chevelles and the Violent Femmes in their natural habitat."

For music makers who love rock and soul, Alfred Music and Rolling Stone magazine have teamed up to create the ultimate songbook! This collection contains sheet music for 40 hit songs that were made famous by the vocal superstars on Rolling Stone's 100 Greatest Singers of All Time list. For practice, performance, or fun, this songbook belongs in every music maker's library, and makes a great gift.

(Vocal Selections). Janis Joplin burst onto the music scene in 1967 and, with her distinct and emotional voice, became the queen of rock and roll. This musical journey celebrates Janis and her influences legends like Etta James, Nina Simone, and Aretha Franklin. Our vocal selections from the Tony Award-nominated musical include 18 songs: Ball and Chain * Cry Baby * Down on Me * I'm Gonna Rock My Way to Heaven * Kozmic Blues/I Shall Be Released * Little Girl Blue * Maybe * Me and Bobby McGee * Mercedes Benz * Nobody Knows You When You're Down and Out * Piece of My Heart * Spirit in the Dark * Stay with Me * Summertime * Tell Mama * Today I Sing the Blues * Try (Just a Little Bit Harder) * Turtle Blues.

(Vocal Selections). A dozen piano/vocal selections from the Tony Award-nominated 2015 musical adapted from the popular 2003 silver screen production of the same name. Our folio includes the new songs with music by Andrew Lloyd Webber and lyrics by Glenn Slater and the title track by Mike White and Samuel Buonaugurio: Children of Rock * Here at Horace Green * Horace Green Alma Mater * I'm Too Hot for You * If Only You Would Listen * If Only You Would Listen (Reprise) * School of Rock * Stick It to the Man * Time to Play * When I Climb to the Top of Mount Rock * Where Did the Rock Go? * You're in the Band. This souvenir folio also includes full-color photos from the stage production and a note from Andrew Lloyd Webber.

(Piano Collection). 19 hits in authentic, note-for-note transcriptions for piano. Includes: Bridge over Troubled Water (Simon and Garfunkel) * Faithfully (Journey) * Hold the Line (Toto) * Love Song (Sara Bareilles) * Martha My Dear (The Beatles) * Minute by Minute (The Doobie Brothers) * November Rain (Guns N' Roses) * Open Arms (Journey) * Ordinary People (John Legend) * Tiny Dancer (Elton John) * The Way It Is (Bruce Hornsby) * and more.

To honor the fortieth anniversary of her seminal album Horses, a revised and updated version of the iconic artist's collected lyrics. This extraordinary collection from "rock and roll's poet laureate" is a testimony to the fierce passion and uncompromising originality of Patti Smith's music and writing. Building on the collection originally published in 1998, this new edition features more than thirty-five new songs, new artwork, and an introduction from Patti Smith herself. As relevant, fresh, and searing as when they were originally written, Smith's lyrics capture her unique voice, raw in beauty, grace, and authenticity. Sharing a message of dedication, love, and compassion that speaks across the ages, Smith's words empower fans and reveal the strong yet vulnerable heart of woman defined by her art.

The first book-length exploration of the quirky feminist booklets With names like The East Village Inky, Mend My Dress, Dear Stepdad, and I'm So Fucking Beautiful, zines created by girls and women over the past two decades make feminism's third wave visible. These messy, photocopied do-it-yourself documents cover every imaginable subject matter and are loaded with handwriting, collage art, stickers, and glitter. Though they all reflect the personal style of the creators, they are also sites for constructing narratives, identities, and communities. Girl Zines is the first book-length exploration of this exciting movement. Alison Piepmeier argues that these quirky, personalized booklets are tangible examples of the ways that girls and women 'do' feminism today. The idiosyncratic, surprising, and savvy arguments and issues showcased in the forty-six images reproduced in the book provide a complex window into feminism's future, where zinesters persistently and stubbornly carve out new spaces for what it means to be a revolutionary and a girl. Girl Zines takes zines seriously, asking what they can tell us about the inner lives of girls and women over the last twenty years.

No other band has ever surpassed the enduring popularity of The Grateful Dead. No other group has regularly scheduled radio shows devoted solely to it, or such an extensive fan base stretching over several generations. And, with the surviving members still touring and the official website receiving more that 100,000 hits a week, no other fan base has proved itself more dedicated or more diverse, from professionals to vagabonds to politicians. From David Dodd, who has spent the last ten years building the Annotated Grateful Dead Lyrics website, comes this unique compilation that offers literary, historical and cultural references to all the band's lyrics. Notes on performance statistics, a series of thematic essays, copious illustrations and a full-colour insert all contribute to an edition worthy of a special place in every Deadhead's collection.

Lana's breathtaking first book solidifies her further as "the essential writer of her times" (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum, and many more. This beautiful hardcover edition showcases Lana's typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator.

From the creator of the sensation Postmodern Jukebox -- with millions of fans globally -- comes an inspirational memoir about discovering what you love and turning it into a creative movement. Taking readers through the false starts, hilarious backstage antics, and unexpected breakthroughs of Bradlee's journey from a lost musician to a musical kingmaker -- and presenting all the entrepreneurial insights he learned along the way -- Outside the Jukebox is an inspiring memoir about how one musician found his rhythm and launched a movement that would forever change our relationships to our favorite songs.

Passman's comprehensive guide offers timely, authoritative information from how to select and hire a winning team of advisors and structure their commissions and fees; navigate the ins and outs of record deals, songwriting, publishing, and copyrights; maximize concert, touring, and merchandising deals; and how the game is played in a streaming world.

Beyond Sound provides practical guidance on career preparation, including how to get a great internship, how to land that first job, and how to make connections and move up in the business. Music technology jobs in recording, live sound, television and film, digital media, video games, retail sales,and education are described in great depth and clarity. Successful professionals in each of these fields share their stories, experiences, advice, and suggestions in candid interviews that provide the reader with a rare glimpse inside the professional world of music technology

Nobody is born a musician. Rather, people become musical. They do so through the right experiences as children, and with the right kind of support from the adults in their lives. Most teachers and parents believe that music can be a powerful a gift to kids. Ideally it becomes a lifelong gift, rather than merely a pastime of childhood to be reminisced about later. Unfortunately, not all music educational experiences produce a lasting musicianship. This book shares how learning experiences can be made more relevant, practical, and real world for young people studying music. With such experiences, kids can be on their way to becoming real musicians, defined as people whose musical skills allow them to lead musically active lives, whether music making is their profession or a personally-fulfilling part of their leisure time.